THE EDITED PRESS RELEASE: “Razorlight were at the forefront of U.K. indie-rock in the early 2000s. Hits like Golden Touch, Somewhere Else, In The Morning, America and Wire To Wire drove three Top 5 albums, earned nine platinum certifications, and led to slots at the Reading Festival and Live 8. After reuniting for shows in 2021, the classic lineup — Johnny Borrell (vocals/guitar), Björn Ågren (guitar), Carl Dalemo (bass) and Andy Burrows (drums) — have taken the next logical step with Planet Nowhere, their first album since 2008.
The move was inevitable. As the ever-ambitious Johnny put it: “Who wants to be a greatest hits band?” So he hatched a plan, and late in 2023 booked a five-day session with the legendary producer Youth (The Verve, James) at his Space Mountain studio in Spain. Youth knew what they had to achieve, telling the band, “Razorlight’s quite simple isn’t it? Just a driving bassline, driving drums and a story.”
For whatever reason, things weren’t that simple. After four days they had a stack of ideas, but nothing really worth pursuing. And then, as Johnny recalls, something remarkable emerged from out of nowhere. “I’d been down in the barranca, and came back up to find the studio empty. So I picked up this weird six-string bass / guitar hybrid I’d never seen before and wrote this thing. On our last night, I started playing it with the guys. The drums came in hard, the bass pounded. It sounded like shit. Absolute shit.
“But Youth was there, saying ‘Can, Velvets, see where it takes you’ and ‘Why don’t you try it like that?’ But still the track just wouldn’t budge, locked in its own inertia. Youth says, ‘You’re getting there, just one more’ and almost instantly the song came out, from nothing to something, like a statue coming up out of marble.”
That song was Scared of Nothing and listening back to the finished track, it’s easy to see why it resparked Razorlight’s mojo. Exuding taut, spiky post-punk energy in a way that’s instantly infectious — the very traits that attracted highfalutin praise back when they started out. And as ever, Johnny demonstrates the swaggering, high-intensity charisma that took him from being a figurehead of the Camden scene to rise to become a cover star.
It was also the track which unlocked Razorlight’s creativity, leading the band to return to Spain with Youth for a second session earlier this year, during which they crafted an extensive catalogue of songs for the upcoming album. Other titles included are Zombie Love, U Can Call Me, Dirty Luck, Cool People and Taylor Swift = US Soft Propaganda.”
