THE EDITED PRESS RELEASE: “Hello! Hooray! A new version of Billion Dollar Babies is here! Alice Cooper’s delightfully subversive sixth album returns in all its snakeskin glory for an extended 50th-anniversary celebration. After hitting No. 1 on the album charts in America and the U.K. in 1973, the record remains a highwater mark for the original lineup, thanks in part to hits like No More Mr. Nice Guy and Elected.
Billion Dollar Babies: Trillion Dollar Deluxe Edition features a newly remastered version of the original album, along with bonus material, including studio outtakes, single mixes, and an electrifying 1973 concert recording. The gatefold cover faithfully replicates the original’s textured snakeskin wallet design and comes complete with a $1 billion bill tucked inside.
An instant smash when it was released in March 1973, Billion Dollar Babies delivered a theatrical mix of hard rock and glam laced with macabre lyrics that explored wealth, decadence, and fame’s darker side. Newly remastered, the platinum-certified album sounds better than ever. The set also features outtakes (Coal Black Model T), single mixes (Mary Ann) and Slick Black Limousine, which originally came out on flexi-disc in the British paper NME.
The Trillion Dollar Deluxe Edition also features a live show recorded in Texas in April of 1973, during the Billion Dollar Babies tour. The powerful performance includes live versions of many of the album’s tracks, highlights including Elected and Hello Hooray, along with several of the band’s earlier hits, including I’m Eighteen and School’s Out.
The set also includes an oral history of the album and the bonus tracks by the surviving band members — Alice Cooper, Dennis Dunaway, Michael Bruce and Neal Smith — and producer Bob Ezrin. (Sadly, guitarist Glen Buxton died in 1997.) In the notes, Cooper recalls writing I Love The Dead and Sick Things: “We were writing those songs looking at each other, and every time we’d write a line I’d say, ‘Oh, this is gonna kill them. Oh, they’re gonna hate us on this one.’ But at the same time, it was almost like an Edgar Allan Poe short story when you listen to I Love The Dead. I tried to write that the way Vincent Price would sing it.”
