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Albums Of The Week: Hurray For The Riff Raff | Life On Earth

Alynda Segarra thinks globally and rocks naturally on their expansive eighth album.

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THE EDITED PRESS RELEASE:Life On Earth is a departure for Bronx-born, New Orleans-based singer-songwriter Alynda Segarra of Hurray for The Riff Raff. Its 11 new “nature punk” tracks on the theme of survival are music for a world in flux — songs about thriving, not just surviving, while disaster is happening.

For their eighth full-length album, Segarra drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny and the author of Emergent Strategy, adrienne maree brown. Recorded during the pandemic, Life On Earth was produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).

First single Rhododendron is about “finding rebellion in plant life. Being called by the natural world and seeing the life that surrounds you in a way you never have. A mind expansion. A psychedelic trip. A spiritual breakthrough. Learning to adapt, and being open to the wisdom of your landscape. Being called to fix things in your own backyard, your own community,” says Segarra.

Of the Rhododendron video, which was directed by New Orleans artist Lucia Honey, Segarra says: “It is really far out and fun. I got this bodysuit that just looks like the inside of the human body. It looks like you’re skinless. It’s in a scene where I’m playing to an audience of plants. Just really absurd, but I put that suit on and I was like man, this feels really good. It feels like, ‘This is who I am. Let’s just take the skin off.’

“It reminds me a little bit of Kids in the Hall,” they continue. “With this Rhododendron shoot, something clicked in me where I was like, ‘All I have to do is be myself.’ I had been thinking that I had to be something bigger than myself. I felt like I was just never quite making the mark and then something clicked where I was like, ‘I just gotta be me. I could do that. I could show up and be me. And if people don’t like it, then I don’t know what to fucking tell them.’ It was like a brain shift of, ‘Oh, this can be fun. It doesn’t have to be suffering.’ With so many videos and photo shoots before, it really felt like suffering. I felt so uncomfortable being perceived. I didn’t know who I was.”

Honey adds: “We live in a moment where the future is bleaker and more unknown than ever, so there becomes a deep comfort in nostalgia and reliving the past. Through our talks, I realized Alynda’s new album touches on many of these same subjects, but perhaps in reverse; running from a past that is always haunting you. Shifting into a more refined self/identity through confronting one’s trauma and baggage. It was easy to reach collaborative synergy for this video project because we’re both interested in tackling similar issues.”

Segarra was born and raised in the Bronx, which they left at the age of 17, running away from everything and everyone they knew, hopping freight trains or hitchhiking across the country in the company of a band of street urchins. Segarra moved to New Orleans in 2007 and formed two bands: Dead Man’s Street Orchestra and Hurray For The Riff Raff. In 2015, Segarra decamped to Nashville, then to New York, to make 2016’s critically praised The Navigator, an ambitious and fully realized concept album that was her quest to reclaim her Puerto Rican identity. Segarra’s previous records as Hurray For The Riff Raff are Crossing The Rubicon (EP, 2007), It Don’t Mean I Don’t Love You (2008), Young Blood Blues (2010), Hurray For The Riff Raff (2011), Look Out Mama (2012), My Dearest Darkest Neighbor (2013), and Small Town Heroes (2014).