Ken Howard has released a transformative, poignant and witty collection with his sprawling new LGBT-themed modern musical On The Boulevard Original Cast Concept Album — showcasing today on Tinnitist.
If it’s any wonder why Ken has crafted such a worthy tribute to classic musicals, it’s in his blood. After all, Howard is the great-nephew of actress Esther Howard — prominent in Broadway musicals of the 1920s such as Sunny, Tell Me More and The New Moon — and the great-grandson of music director J. William Howard II (My Marilyn, Blossom Time, Student Prince).
A massive undertaking, the On The Boulevard Original Cast Concept Album features a substantial amount of collaborators and performers. Their personalities and spirits all coalesce to shape a production equally filled with playful social commentary (Youth Is Wasted On The Young) and wanton love (When I Becomes We).
On The Boulevard features original music and lyrics by Howard, with a libretto is by Howard and Malcolm Heenman. On The Boulevard was adapted from George Bernard Shaw’s Pygmalion by Howard, with musical direction of the recordings by Stuart Wood and Michael Van Bodegom-Smith.
“On The Boulevard (formerly PygMALEon) has been a labor of love since its inception in about 2015, when the proliferation of Hollywood superhero movies, combined with the pervasive notion that gay men in West Hollywood are too-often judged for their social status by way of the esthetics of their physique, reminded me of George Bernard Shaw’s social commentary and critique about social classes and the status of women in Edwardian London being judged by the manner of their speech in Pygmalion in 1914,” Howard says.
“Making this story, libretto, score, and concept album has only been possible through the talent, skill, commitment, perseverance, and boundless energies of so many, who have given so generously, who just wanted to help bring an original musical to life. This yet-another retelling of the transformative Cinderella story mixes the classic themes and styles of Broadway musicals of the past with the very current cultural context of today.
“I thank everyone involved for their inspiration and contributions in all aspects of theatre and music, who stand as living embodiments of their respective talents: Arrangers, orchestrators, and scorers Kristopher Gee, Stuart Wood, Alex Meade, Wayne Moore, Silvio Buchmeier and (angel-on-earth) Michael Van Bodegom-Smith. Genius music recording studio engineers were Brandon Bustamante, Trevin Clay, Guy Baruch and everyone at Temple Base, and Chris McMasters of Crystal Digital Music and Mix Recording Studio.
“The characters came to life in story and song through the early talents of Lloyd Gordon, Tracy Powell, David Pevsner, Jake Novak, Rickie Gole, Teresa DeGennaro, Austen Rey, Scotty-Miguel Sandoe, Max Herzfeld, Ronen Bay, Meghan Grinczel, Kim Carlson, Chris Etscheid, Steve Goodwillie, Alex Morales, Landon Stovall and so many generous company singers through various iterations of the score. None of this would be possible without them, and the generous contributions of Ryland Shelton, Gina Torrecilla, DeLandis McClam, Carol Barbee, Giancarlo Garritano and the always-inspirational and limitless talents (and patience) of our breakout star, Michael D’Elia.”
The On The Boulevard Concept Album was recorded from July 2015 to September 2022. It awaits its first commercial theatrical staging. Sample the album below, watch the video for My Own Song above, and get more information on Facebook.
