Home Read Albums Of The Week: Swamp Dogg | I Need A Job​.​.​.​So I...

Albums Of The Week: Swamp Dogg | I Need A Job​.​.​.​So I Can Buy More Auto​-​Tune

Jerry Williams cooks up another batch of freaky R&B psychedelia & southern soul.

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THE EDITED PRESS RELEASE: “Some 50 years after Total Destruction To Your Mind introduced Swamp Dogg to an unprepared world, and nearly 70 since Little Jerry Williams first went into the studio, he brings us I Need A Job… So I Can Buy More Autotune. A spiritual successor to 2018’s hit Love, Loss and Autotune, this album continues to push Swamp’s sonic exploration of the effect as one of his many creative weapons.

In the extended tradition of Total Destruction, Swamp Dogg’s 2021 LP neatly balances sleek modern production techniques with that classic Dogg sound that has anchored Williams’ music since the ’70s. Subtle yet soulful drumming, skin-tight horn grooves and meandering funk guitar leads create a sonic landscape fitting Swamp Dogg’s iconic croon, occasionally drenched in the titular autotune.

At 78, Swamp Dogg is as sharp of a singer and songwriter as ever. His raunchy yet charismatic sense of humor takes a more forward role on I Need A Job… So I Can Buy More Autotune, with earnestly delivered lyrics about all-day sex and an entire song dedicated to the perils of Cheating in the Daylight.

Many of the record’s most charming moments emerge from the juxtaposition of Swamp’s left-field humor with genuine messages of love, such as She Got That Fire, which weaves descriptions of imagined sex acts, including but not limited to an encounter involving edible underwear, in between relatively wholesome proclamations like ‘she must be an angel on earth,’ and ‘when she looks at you, it’s like sunshine from her eyes.’ I Need A Job… does more than prove that Swamp’s still got it, it proves he’s still getting better.

In 1954, 12-year-old Jerry Williams made his first recording for Mechanic Records, a blues stomp with a shockingly mature vocal performance. Through the ’60s, Williams’ career developed with a number of successful singles, including I’m the Lover Man and Baby You’re My Everything, as well as writing and producing hits for Dee Dee Warwick, Doris Duke and Patti LaBelle and the Blue Belles. It was in 1970, however, that the full extent of Williams’ eccentric creative genius was unleashed on the world for the first time, with the birth of his musical alter-ego Swamp Dogg.

Created to occupy the body while the search party was out looking for Jerry Williams — who was mentally missing in action due to certain pressures, mal- treatments and failure to get paid royalties on over 50 single records — the Swamp Dogg alias, still in use today, allowed Williams to create music that was bolder, raunchier, and more honest to his creative instincts. The Dogg’s cult classic debut Total Destruction to Your Mind struck a powerful blend of Williams classic soulful sensibilities and the blooming psychedelia of the time. Infused in the swirling brew is Swamp’s blink-and-you’ll-miss-it humour, a number of acid odes, and a heavy dose of sharp political insight. Though the psychedelic strangeness alienated R&B fans of the time, and the authentic R&B infrastructure prevented it from clicking with hippie audiences, it has retroactively received legendary status in cult music circles.”