THE EDITED PRESS RELEASE: “Once you start looking for them, you’ll see desire paths everywhere. In parks and driveways, parking lots and apartment complexes, in front of corner stores, libraries, schools and offices.
“Maybe there was one in your neighborhood growing up, a corner where everyone decided it took too long to go around, so they made their own pathway to cut through,” says Marissa Paternoster, singer and guitarist of Screaming Females. “There’s this cool unsaid group consciousness that comes together where everyone decides, this is the right way to go.”
Now a band for half the lifetime of its members, Screaming Females have long been pounding out their own desire path. Formed in 2005 in New Brunswick, N.J., the trio have consistently created a hearty, surprising mix of indie, alt, punk and stoner-rock, all with their original lineup of Paternoster, “King Mike” Abbate (bass) and Jarrett Dougherty (drums).
Desire Pathway was recorded at Minnesota’s Pachyderm Studios (where Nirvana recorded In Utero) and produced by Matt Bayles (Pearl Jam, Mastodon). Bright and full, the album captures the band at a time when nothing was certain other than their abiding desire to make music together.
The album opens with the Sabbathy hypnotism of lead single Brass Bell. Following a swelling haze of synth, feedback shrieks, martial snares advance, and the band explodes into a bracing groove. Soon, Paternoster makes the cryptic announcement: “I have flown us to the moon,” and we’re off. The song has the effect of clearing one haze and replacing it with another, much heavier one.
Paternoster, named one of the Greatest Guitarists of All Time by SPIN, explains of the single: “Brass Bell is a song about surrendering your autonomy to something so overwhelmingly powerful you willingly relinquish your ambitions and self-worth. My intention was to draw an interesting dichotomy between the muscular nature of the song and the rather bleak, worried lyrics.”
Compared with their previous record (2018’s expansive All At Once), Desire Pathway feels refreshed and direct. Beyond the Void may gather gloomily, but it quickly releases into its jangly, memorable chorus. Mourning Dove successfully channels the Pixies into a tight, driving power-pop song that passionately declares “my love for you is too strong to hide.”
Now 18 years and eight albums in, Screaming Females are still making their own path in the world, still touring DIY and releasing music without compromise. The route might cut a little off the main road, but you’ll quickly see there’s a reason they’re on it. You just might like where it leads you.”
