THE EDITED PRESS RELEASE: “A long era of dull ringing and nothing else in our ears is over. Once again, winds of warm guitar and humid thunderheads of bass and toms rumble all around. With Valdez, Birds Of Maya are back in flight. And like the first song title explicitly states, this latest is a soaring blast of riffers, rife with punk rock abandon, sludge, treble, distortion, neck-throttling rock n roll solos, pummeling drums and bass and half-shouted/half-gargled vocals, all of it half on and half off the mic. For the good times as always, these Birds!
That’s how they’ve done it: fast and heavy, hard, live and loose, amid accumulating piles of empties, in appropriately informal environments since 2004ish, with their three LPs ripping us up whenever they drop. With each release, our thirst has increased, but to our horror, we haven’t found any fresh feathers from their tree in the new release bins since 2013. Somewhere in Philadelphia, Jason Killinger, Ben Leaphart and Mike Polizze played on — preferably outside (the shows are always extra-good), but wherever, really.
Recorded in 2014 at Black Dirt Studios in New York. Yeah: Birds Of Maya packed up their shit, drove out of North Philly to a recording studio hundreds of miles away and made an album. Kinda nuts. And then didn’t release it until…well, yeah — now! Time is a test that Birds Of Maya recordings need to pass before they see the light of day.
At the time this was recorded, Birds Of Maya were standing on the other side of 10 years kicking around town, suddenly far away from the primordial ooze they’d flopped forth from. The streets where all this had happened on were changing, with new money rolling in, but they were the same old Birds, content with their libations and ear-splitting variations on old favorite Stooges chords. The cover art of Valdez is a couple images from those days, glimpses at the old grass roots before they were ripped up by developers to build condos. But nothing ever really goes away; Valdez stands tall amongst the changing landscape.”
