Chris Ronald adds new shades, tones and colours to his sound on his latest album Light & Dark — showcasing today on Tinnitist.
With poetic lyrics steeped in his British roots, the Vancouver artist creates a signature blend of folk and rock inspired by everyone from ’60s revivalists to ’70s singer-songwriters. Leaning towards a decidedly rootsy sound, Ronald’s powerful vocals and accomplished musicianship in guitar, harmonica, and ukulele serve up a delicious folk, Americana and roots-rock release that lands just where he and his long-time collaborator — award-winning producer and multi-instrumentalist John MacArthur Ellis — set their sonic sights a few years ago.
“After showcasing at Americanafest in Nashville in 2018 — and really soaking up the vibe of the Americana music scene down there — John and I knew which direction to take this next album,” Ronald recalls. “Where my most recent album Fragments was more on the folk-side of Americana, Light & Dark has more of a contemporary roots sound.”
Newest single Still Turning confronts human-caused problems in its environmental theme, but ends with resounding positivity with its nod to the young, green movement. The song also highlights one of a few singing collaborations on the release; for Still Turning, Ronald wanted increasingly more people singing the chorus to give the impression of a growing movement. “To do so, and to add a youthful touch, I had my children, who were 12 and 14 at the time of recording, join in for the final rousing chorus,” he says.
From there, the 11-track LP features a few rewrites from Ronald’s 35-year archive alongside more recent compositions; Ronald wrote them all, save for one exception — the beautiful, Beatlesque ballad Old Lover, which was co-written with his brother shortly after the first COVID-19 lockdown.
The pandemic played a large role in shaping the terrain for Light & Dark, Ronald reveals; lyrical nuances pepper the production, the crew navigated strict restrictions around recording — not to mention the untimely passing of Ronald’s father within it. Songs penned pre-pandemic, such as Please Don’t Come For Me Now and Bones, suddenly embodied a new poignancy, while the release’s title track Light & Dark tackles mental health and the healing properties of music.
But Ronald’s intention was to give album lovers a bit of a ride, he shares. “As the title suggests, the album’s track sequence intentionally alternates between dark and light moods and themes, so there’s a bit of an emotional rollercoaster.” To that end, bright and breezy City Girl reflects on the grind of city life whole holding the prospect of escape, while the ukulele-driven and reggae-flavoured Sunshine could be about that very thing, but was inspired by the birth of Ronald’s first child.
In all, audiences soon come to realize that, while Ronald doesn’t shy away from addressing some sticky issues, a common sentiment running through Light & Dark is one of hope. Ronald has four previous album releases, including Pacific Time (2004), Turning Tides (2011), Timeline (2014) and Fragments (2017). He was nominated for Songwriter of the Year at the 2014 Canadian Folk Music Awards, is a Kerrville New Folk finalist, achieved Top 10 artist, song, and album ranking on The Folk Charts, and tours internationally — including annual showcases at the Americana and Folk Alliance music conferences.