Helfreya beckon audiences down a sonically daring tunnel of psychedelic doom-jazz in their debut Shieldmaiden — showcasing today on Tinnitist.
Fronted by vocalist Violet Vopni, of Metis and Icelandic descent, the Winnipeg prog-metal outfit — rounded out by guitarist Keith Meyer, bassist Russ Maskus and drummer Travis Stephenson — draw on Norse and Celtic mythology in their songwriting, and the name is derived from two Norse Goddesses: Hel, the Goddess of death, and Freya, the Goddess of love.
“We’re the duality between light and dark,” the band say in a press release, “and the enigmatic amalgamation of love and death. We take fans on a strange adventure.”
“This is an album that has been over 20 years in the making,” Vopni shares. “Keith, Russ and Travis had spent decades crafting their instrumental sound in their former punk rock band, Wormhole.” Adds Meyer: “We were just waiting for the perfect singer/songwriter to join the project.” Offers Maskus: “After a few failed attempts, we met Violet and something instantly clicked.”
“For my part, I’d also spent decades crafting my songwriting and vocal style, but had trouble finding the right musicians to accompany the lyrics and melodies,” Vopni continues. “After my own few failed attempts, this was a perfect match up.”
The result is Helfreya and their debut LP Shieldmaiden; while there are legacy creations on the release — Dreaming was originally written in 1996 by an 11-years-old Vopni — the album’s title track was the first song she wrote for the new collaborative efforts. Quickly becoming a fan favourite, it proved to them something special was afoot.
“The album is a mix of heavier and softer sounds, and brings to light each band member’s personal musical tastes while showcasing their talents,” Stephenson says.