Mae Graf asks some tough questions in her confrontational new pop-rock single What Abt Me? — showcasing today on Tinnitist.
The young Louisiana singer-songwriter breaks new creative ground with her latest single. Following the success of previous releases Barbie and I Like Me Better This Way, Graf delves into new depths of emotions, expressing the rage of a lover betrayed by broken promises. Graf’s earnest voice echoes the stylistic influences of Lacey Sturm from Flyleaf and Hayley Williams from Paramore, evoking a potent mix of unhinged emotions.
What Abt Me? conveys a message to a lover who once filled the singer’s heart with romantic fantasies of undying love, only to find another and treat them in the same manner. It stirs feelings of fury and an unrestrained desire to scream, while also weaving in the poignant ache of heartbreak, creating a deeply resonant musical experience.
Graf’s musical journey is deeply rooted in her upbringing, where writing became her vessel for releasing emotions. From journaling to songwriting, her music reflects raw vulnerability, serving as a microscope into her soul and experiences. With a foundation built on real-life narratives, her emotionally driven melodies resonate with listeners, capturing the essence of human emotions.
From a young age, Mae was immersed in music, thanks to a nanny who sang and wrote songs with her. As she delved into voice lessons and school performances, her passion for music grew exponentially. Now 15 and inspired by icons like Gracie Abrams and Taylor Swift, Mae’s raspy vocals and storytelling prowess evoke shades of Avril Lavigne. Her indie-pop sound, characterized by passionate melodies and introspective lyrics, sets her apart, drawing from personal experiences and a wide array of influences. As she continues to evolve creatively, Graf remains dedicated to her craft, aspiring to leave a lasting impact on the music industry.
Check out What Abt Me? above, hear more from Mae Graf below, and catch up with her on her website, Instagram, TikTok and Facebook.
