Kate Koenig creates a colourful world of her own with her unique new concept album Etemenanki and its title-track video — showcasing today on Tinnitist.
Etemenanki is an experimental folk concept album that is written from a place of great emotional and spiritual introspection, but at the same time, doesn’t take itself too seriously. It’s an aural folktale: Each song is told from the perspective of a mythological creature of Koenig’s own invention that goes by the tongue-in-cheek name of Bʌfdɔg (Buff Dog). The creature has existed at every time there has been and ever shall be, and as every person who has been and ever shall be. Some songs are sung by Bʌfdɔg themselves, while others are sung from the perspective of individuals whom Bʌfdɔg has embodied.
The album features 40 minutes of contemplative, cinematic, and inventive compositions, some of which are influenced by Middle Eastern tonalities. The title of the album is taken from the name of a Babylonian ziggurat that was constructed with the aim of reaching the heavens — and is speculated to have inspired the story of the Tower of Babel. The title track is sung by a homeless woman losing her mind in Babylon, and references the god Marduk, to whom the temple was dedicated.
“Part of my style has always been to meet serious with silly,” explains Brooklyn singer-songwriter Koenig. “Bʌfdɔg is an overwhelmingly sad creature, but because of their silly name, they’re also supposed to be cute; the name hints at a sense of playfulness behind the sadness.”
The album was written in its entirety in the first two weeks of the New York City COVID-19 lockdown. While housesitting for a friend in their secluded fourth-floor apartment, Koenig sat down each night and completed a new song. Over the following few months, she used the quiet space to record the album in full, then spent the summer and early fall producing and arranging. With the exception of bass, drums, cello, and some percussion, Koenig played every instrument and note heard on the album.
“Many of the songs are meant to capture the exhaustion that comes with long-term depression,” says Koenig, who suffers from mental illness. She’s also known to be an advocate for mental health awareness, a mission she makes a part of her live performances, where she is intently open about her personal struggles. “It’s hard enough to live with mental illness let alone to live with shame about it,” she says. “I’ve always believed that sharing actively about my own mental health can help to normalize the topic of conversation for others. I want to live in a world where people can say they’re not feeling well mentally and it inspires compassion and understanding from others.”