Tamta explores and embraces the good and evil that exist within (and are thrust upon) us all on her new high-concept compilation The Villain Heroine — showcasing today on Tinnitist.
Compiled from the pop trailblazer’s two recent EPs The Villain and The Heroine — and expanded with bonus tracks and a remix — the ambitious two-disc release offers a Jekyll and Hyde-style examination of morality, duality and perspective, set against a striking, sophisticated and multi-faceted backdrop of hyperpop, electronica and more.
Encompassing triumph, treason and tragedy, the album captures Tamta at her most unapologetic. A dual narrative that explores the delicate and often blurred lines between good and evil, The Villain Heroine is a sonic and thematic exploration of identity, empowerment and perception. “To some, you’ll be cast as a villain, to others, a hero,” she says. “But in the quiet of your soul, be unapologetically you. That is the message of this album.
“I wanted to show all sides of myself. This is me defying music norms, diving deep into my heritage, and refusing to be put in a box. We’re reclaiming creativity in a world run by algorithms — and this album is my truth.”
Conceptually, the album is structured like a diptych — two opposing forces that complement and complete each other. The Villain introduces darker themes and textures, filled with leftfield electronic pop and rave-inspired sounds. It opens with XAI5-V, a frenzied dive into the villain’s chaotic universe, followed by the war-like rhythm of Khorumi, inspired by her roots and the traditional Georgian dance. Anakata shifts gears with a sensual, high-speed love song, while Copy takes aim at imitation culture, turning the concept of artistic theft into a moment of power. Tracks like Bye and Nai channel liberation, self-confidence, and satire, leading into Domino, a poetic finale in which the villain vanishes, becoming one with the elements — earth, wind, and water — leaving us to wonder if she’s truly gone or simply everywhere.
Then comes The Heroine, where brighter hyperpop and J-pop tones take centre stage. A True Heroine begins with the mundane and slowly reveals the extraordinary, while Chrome Hearts (featuring Saske), is a fan favourite with over 782,000 views — a burst of serotonin wrapped in glittering pop production. The album’s lead single Hello Kitty leans into nostalgia, while Tokyo Athina and Monotonia (featuring Lila) embrace change, confidence, and independence. The ballad Xoma turns hate into fuel, celebrating resilience and rebirth. Before the journey wraps, Miles High brings flirtation, risk and playful boldness. Then, as a surprise bonus, Den Telioni Etsi I Agapi (Love Doesn’t End This Way) closes the album — a beloved track from Tamta’s debut, reimagined with The Heroine’s signature sonic glow. A timeless song about love’s lasting impact, it preserves the original’s essence while layering in a fresh, luminous twist, bringing Tamta’s evolution full circle.
Tamta’s recent work has captured global attention. Her single and video Monotonia racked up over 651,000 within a month, while Anakaata and Khorumi have surpassed 805,000 and 500,000 views respectively, further proving her ability to fuse experimental soundscapes with mass appeal.
With over 250 million combined streams and views, she remains a cultural force, constantly reinventing herself while staying true to her unapologetic essence. Along with representing Cyprus at the Eurovision Song Contest and being a judge on X Factor Greece and Georgia, Tamta has performed across Europe.
Behind the album is the producer and her trusted collaborator TEO.x3, with support from a global network of writers and artists including ody icon, Anastasios Tsordas, Zenonas Gianni, Barbara Argyrou, Vassilina, Dan Kjellberg, Uvcore, Barrice, Sin Laurent, Gerasimos Evangelatos, Etien, Jeonne and featured performers Lila and Saske.
Check out The Villain Heroine and watch Tamta’s videos below, then connect with on her website, Twitter, Facebook, Instagram and TikTok.
