THE EDITED PRESS RELEASE: “Behemoth have always been known for not shying away from controversy, and they most certainly remain true to this approach with their 13th full-length.
Here are musicians that, 34 years in, are releasing their most inflammatory and extreme record, with eight songs that go into the fathoms of humanity, divinity and what defiance means in an age where individuality is prized but everyone is clinging to their saviors — musically, politically or otherwise.
The intentionally polarizing title of the album is in line with those sensibilities. “We chose this provocative title deliberately, rejecting subtlety in favor of a direct and polarizing statement,” founder and frontman Nergal says. “It’s a defiant plunge into the depths, daring to seek the absolute even in the gutter.” But make no mistake: Despite its apparent lack of subtlety, the title gets a touch of genius when seen in combination with the striking artwork, which depicts an upside-down version of the most common Christogram IHS.
“I’ve reached a point in Behemoth’s journey and my own creativity where words and statements mean less and less,” Nergal explains. “The true essence of who we are and what we stand for lies in our music, our art, our visuals, our sounds, our performances, and the ways we connect with you. I deeply believe Behemoth represents transcendent, timeless art. The number 13 — so magical and significant. If this were to be our final album, I could say I die a proud man. Without a shadow of a doubt, this is the most refined, purest representation of Behemoth. No filler, no excess — just the very best we have to offer, handed to you.”
Behemoth meticulously chose the audio and visual artists involved on the album. Production on the album was helmed by the inimitable Jens Bogren of Fascination Street Studios (Emperor, Enslaved, Kreator). Working closely with the band, Bogren’s deft hand underscored the band’s natural sound while sacrificing none of the mayhem and ferocity which permeates the band’s essence. As is always the case with Behemoth, the visuals were as carefully constructed as the sound. The band tapped long-time collaborator and partner in crime Bartek Rogalewicz as well as Dark Sigil Workshop to make the beautifully ominous and unique cover art.”
