THE EDITED PRESS RELEASE: “Destined to be one of 2022’s most hailed and talked-about releases, Immutable once again showcases Meshuggah’s collective brilliance, including some of the most jaw-dropping ensemble performances they have ever executed.
Six years on from the band’s most recent full-length The Violent Sleep Of Reason, 2022 brings a fresh and fearsome revelation from Meshuggah. Shattering even the highest of expectations, the band’s ninth album is simply their wildest and most esoteric sonic adventure yet. Immutable was recorded at Sweetspot Studios in Halmstad, Sweden, mixed by Rickard Bengtsson and Staffan Karlsson and mastered by multiple Grammy winner Vlado Meller (Metallica, Rage Against The Machine, Red Hot Chili Peppers, System Of A Down), and the stunning cover artwork was once again created by visionary artist Luminokaya.
For guitarist Mårten Hagström, the task of embarking on another unprecedented tech-metal odyssey was impossible to resist. “The title fits perfectly for where we are as a band,” Mårten concludes. “We’re older now. Most of us are in our 50s now, and we’ve settled into who we are. Even though we’ve been experimenting all along, I also think we’ve been the same since Day 1. The way we approach things and why we still make new albums, and why we still sound the way we do, it’s immutable. Humanity is immutable, too. We commit the same mistakes over and over. And we are immutable. We do what we do, and we don’t change.”
Legendary. Unique. Immutable. Meshuggah are still operating on a higher level of metallic consciousness than just about everybody else. This band blow minds for a living, and Immutable is their most explosive work of monstrous art yet.
Meshuggah stand alone. The most inventive and creative metal band of the last 30 years and one of the most widely revered, they have been standard bearers for forward-thinking creativity in heavy music throughout their illustrious careers. Over the course of more than 30 years and eight studio albums, Sweden’s widely worshipped progressive mavens have consistently redefined what it means to be heavy, while exhibiting a ferocious intelligence that belies the crushing weight of their riffs. From the ground-breaking savagery of 1995’s Destroy Erase Improve, to the psychedelic tech-splorations of CatchyThirtyThree, and on to the streamlined grotesquery of ObZen and Koloss, Meshuggah have always been way ahead of the game and plainly without peer.”