Roots, rap and Rufus: This week’s top musical offerings are brought to you by the letter R. Except for the 400-plus other releases that aren’t. But I’m not talking about them right now. I’ve got enough on my plate.
Ray Wylie Hubbard
Co-Starring
THE PRESS RELEASE: “Ray Wylie Hubbard is the secret handshake amongst those who know. Earthy, real, funky, unabashed, his records have been swapped and played on the road by everyone from Blackberry Smoke and Georgia Satellites to Black Stone Cherry. That passion for the man who’s as much a renegade poet as a roadhouse saint brought together an eclectic mix of guests for Co-Starring, his first ever high-profile label release. Ringo Starr, Joe Walsh, The Black Crowes’ Chris Robinson, Ronnie Dunn, Don Was, Larkin Poe, Pam Tillis and The Cadillac Three were just a few who clamored to jam, sing and generally be in the studio with the Austin Music and Eric Church-inducted Texas Heritage Songwriters Hall of Famer.”
The Jayhawks
XOXO
THE PRESS RELEASE: “The 11th Jayhawks studio album represents a bold step forward. For the first time, all four members contribute writing and lead vocal duties. XOXO is the most diverse and wide-ranging in the group’s storied history. Rather than marking a sonic departure, though, the collection signals a sharpening of focus for the band, an elevation in understanding of who they are and what they do best. In classic Jayhawks fashion, the songs here mix the influence of American roots music with British invasion and jangly power-pop, but there’s a newfound vitality at play, as well, an invigoration of confidence and energy that could only come with the injection of fresh blood. The result is an album that, much like the band’s lush harmonies, brings multiple distinctive voices together into a singular whole, a collection that, ironically enough, finds unity in individuality and identity in reinvention.”
Margo Price
That’s How Rumors Get Started
THE PRESS RELEASE: “That’s How Rumors Get Started is an album of 10 new original songs that commit her sky-high and scorching rock-and-roll show to record for the very first time. Whether she’s singing of motherhood or the mythologies of stardom, Nashville gentrification or the national healthcare crisis, relationships or growing pains, she’s crafted a collection of music that invites people to listen closer than ever before. Margo primarily cut That’s How Rumors Get Started at Los Angeles’ EastWest Studios. Tracking occurred over several days while she was pregnant with daughter Ramona. “They’re both a creation process,” she says. “And I was being really good to my body and my mind during that time. I had a lot of clarity from sobriety.” While Price continued to collaborate on most of the songwriting with her husband Jeremy Ivey, she recorded with an historic band assembled by Sturgill Simpson, and including guitarist Matt Sweeney, bassist Pino Palladino, drummer James Gadson, and keyboardist Benmont Tench.”
The Streets
None of Us Are Getting Out of This Life Alive
THE PRESS RELEASE: “With guest spots ranging from Grammy-nominated psychedelia sovereign Tame Impala to cult south London rapper Jesse James Solomon, as well as 2019’s key-fiend-friendly drum’n’bass collab with Chris Lorenzo, None Of Us Are Getting Out Of This Life Alive is the most eclectic and highly collaborative collection of songs from The Streets yet. Or as Mike Skinner puts it with characteristic distinction: “it’s really just a rap duets album.” Every track on None Of Us Are Getting Out Of This Life Alive has one if not two guests, who, though underpinned by Mike’s distinctive lyrical flair, usually perform atop a genre or sound not previously explored within the realm of The Streets. “You know that thing where if you wore it the first time round, don’t wear it the second time round? I would never put on Aquascutum at this point in my life. It would be stupid, a pastiche of what I did twenty years ago. For all of us. Whereas now I’m going back and I’m picking things that I didn’t pick before.”
Rufus Wainwright
Unfollow The Rules
THE PRESS RELEASE: “Unfollow The Rules finds Rufus Wainwright at the peak of his powers, entering artistic maturity with passion, honesty and a new-found fearlessness, while remaining as mischievous as ever. Recorded in the same legendary Los Angeles studios as his landmark debut, his ninth album is both a bookend to Act 1 of an extraordinary career and a distillation of 21 years of experience at pop’s most flamboyant coal face. Inspired by middle age, married life, fatherhood, friends, loss, London and Laurel Canyon, Unfollow The Rules captures Rufus at a crossroads. Ready to tackle new challenges, yet compelled to confront his past, he’s taking stock of two decades of running riot with rules, making sense of how he has matured as a musician and celebrating the contended family man he has become. “At my age – 40s, we’ll say – you start to re-evaluate the past you’ve been shackled to for so long,” says Rufus. “You can’t walk away from it, discard everything and create a new life. You’re now too old to skip town. Instead you have to go back and examine the forces that brought you here. In my case, that meant crawling through a minefield of drama, regret, wounds and so forth. To move forward required embracing those injuries, knowing that I’m in a good place now because of them, not despite them.”
